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The color and lighting were carefully designed. Drones and floating coltan rocks were evidently created with CGI. “Martyr Loser King” evokes Martin Luther King, but it undergoes a further twist to become the basis for the “Mutalusa Kingdom.”Īs technological power interfaces with spiritual power, the film avoids sticking to a clear perspective. Even at the very start, “mine” has a double meaning. Williams brings a poet’s sense of wordplay to the script of “Neptune Frost,” which is especially impressive since the film is spoken in five languages and his lyrics are translated outside English.
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Even the scenes in the mine are coded with reddish-brown dirt - this may be a realistic version of how they look, but it’s still stylized and full of symbolism, as the color hints at dried blood shed by the mine’s workers. It exudes a love of color and a belief in its infinite variety. But the aesthetic behind the film is not simple. The special effects of “Neptune Frost” are simple, with trippy computer animations made of colorful shapes representing communion with the machine world. If the effects of living with destruction and loss runs through the film, it sees them as the starting point for something more positive. “Neptune Frost” creates beauty from extremely lush colorful lighting and such simple means as sci-fi props made from neon tubes, bicycle wheels and circuit boards.
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Production design is one of the most striking qualities of “Neptune Frost.” Films and TV shows by white artists frequently use a combination of low and hi-tech, such as flickering TVs and old-fashioned computers in decaying buildings, to suggest post-apocalyptic scenarios. Listening to “MartyrLoserKing” first will help explain its approach - songs like “Down For Some Ignorance,” originally released on it, are re-purposed here. It was originally planned as a cycle of three albums and graphic novel. In addition to being an outspoken advocate for the LGBTQ+ community, Ruby also heads Proud to Be in Baseball, a non-profit organization whose mission is to assure "no queer person in baseball should ever feel alone.The world of “Neptune Frost” began before this film and spirals out around it. "It just shows that different people can coexist in our sport." People in the stands waved a little rainbow flag and my teammates told me very clearly that they have my back," Ruby, who is also a country singer, told the Tennessee Tribune on Thursday. Ruby, who said he was "definitely very nervous" before publicly coming out in September last year, has spoken openly about the support he's received from fans, friends, teammates, and loved ones since then. … We just want everyone to feel welcomed and included and cheer us on." "Whatever your preferences are, go be you. "My parents taught me to love everyone as they are. RELATED VIDEO: Apolo Ohno Supports Simone Biles & Michael Phelps in Putting Mental Health First: Athletes Are 'Still Human Beings' "It just shows that we want everyone to feel welcomed and included when you come to Tropicana Field and people are cheering us on," he told MLB.com. Though some players did not participate, others on the Tampa Bay roster had no issue proudly donning the rainbow logos on their uniforms, like center fielder Kevin Kiermaier. RELATED: Rachel Balkovec, Minor League Baseball's First Female Manager, Gets Black Eye from Batted Ball Such antiquated language and behavior actively hurts the team.
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A lot of guys just don't get that they've always had, and will continue to have, gay teammates. He added to USA Today: "It sends a very clear message, and that message is: LGBTQ people are not welcome here.